obv. Head of the water nymph Arethusa right, hair bound with diadem-shaped band in a krobylos, wearing necklace, surrounded by the legend ΣY - PA - K - OΣI - O И , the whole surrounded by four clockwise swimming dolphins rev. Slow quadriga driven right by charioteer, holding kentron and reins above, Nike flying right to crown horses, within round border of dots.
The term ″Deinomenid″ derives from the name of Deinomenes, the father of Gelon, Hieron, Polyzalos, and Thrasyboulos. The patriarch of the Deinomenid family, however, is not responsible for the foundation of the Deinomenid tyranny. In the 6th century BC, Kleander, a member of the aristocratic class of Gela caused the downfall of the city′s oligarchy. He established the tyranny that was later handed down to his brother Hippokrates, whose ″vigorous and ruthless activities made him within seven years master of all eastern Sicily.″ Hippokrates was responsible for bringing various cities under his rule, such as Kallipolis, Leontini, Naxos, and Zankle. Gelon took up this already successful tyranny for himself after the death of Hippokrates and developed it, expanding the territory under his control. Kleander introduced the tyranny that the Deinomenids would later claim, while Hippokrates expanded this tyranny′s sphere of influence and was a model of bold ambition which Gelon and his brothers would later follow.
Circa 478 BC Hieron I became tyrant of Syracuse after the death of his brother Gelon. He led Syracuse to a significant naval victory against the Etruscans at Cumae in 474 BC, which helped to secure Greek control in the region. Hieron engaged in colonization efforts, including establishing the city of Aetna (formerly Catana) and resettling inhabitants from Naxos and Catana. Hieron was a patron of the arts, supporting poets like Pindar and Bacchylides, and hosting theatrical performances. Despite his achievements, Hieron was also known for his ruthlessness, particularly in relocating populations to consolidate his power. Hieron died in Catana in 467/466 BC.
The slow quadriga had already been introduced as the standard reverse type for Syracusan tetradrachms by the end of the sixth or the beginning of the fifth century BC, but the head of Arethusa only evolved into a full reverse type in the early fifth century BC. Previously, if she was depicted at all, she appeared within a small circular punch in the center of a main incuse square reverse punch. However, once she had developed into a full type, she made a truly dramatic appearance with with a great variety of style and hairstyle, as can be seen from this attractive piece.
cf. BMC 37 | Boehringer 324var. | SNG.Copenhagen 628var. SNG.ANS.104var. | SNG. München 970 (same dies) | cf. Sear 914 cf. Pozzi 1208 | HGC 2, 1307R Very attractive specimen, well-centered and struck on a broad flan. A rare and desirable piece. Rare. vf/xf
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